Wednesday, April 15, 2015

Week fourteen prompt

According to the author of the article, “A place on the shelf”, “A separate section for gay and lesbian fiction might pose problems, making some readers feel exposed when browsing and others ghettoized. A good alternative is creating finding aids--online lists and print handouts (stored with other readers' advisory materials) that provide both access and privacy.” (Thomas, 2007) I tend to disagree with the rationale that Thomas provides for not separating the fiction. I believe that when considering separating LGBTQ and African American fiction, it depends on the size and dynamics of the library. In my library, which is a small public library that is inclusive of all material, I would not separate the collection initially. I would acquire (or make) subject labels and affix them to the appropriate titles. At that time, I would check the catalog record and modify it to make sure that the correct subject headings were listed to ensure patron ease in finding desired material. Additional “finding aids” like bookmarks and lists can be created to assist patrons in locating other titles.

Currently, our library has adult fiction, inspirational fiction, large print and mystery fiction separated in the adult area. Genre identification labels are used to designate fantasy, romance, science fiction, urban fiction and westerns. The decision of what stickers to add and where to place the material is subjective and can be a time consuming decision as many titles can fit into more than one category. More than one sticker can be place on a book, but the book can only be put in one designated physical genre section.  “On the other hand, genre browsers in an interfiled fiction collection are left to scan the shelves for genre stickers. This is much more time consuming than it is to locate one author in various genre collections.”(Trott, 2006) If patron demand and interest in the collection grew and warranted a sizable circulating collection, I would definitely reconsider separating out the collection as well as the other genres in the fiction area.

The article, “A house divided?” brings up this valid point concerning the grouping of African-American themed titles together, “With an author such as Walter Mosley, it is possible that a reader would have to look in science fiction, general fiction, and mystery fiction in order to locate all of his titles (unless, of course they were all grouped together in an African American fiction section, which raises another set of issues).” (Trott, 2006) The issue this brings up is what constitutes the LGBTQ fiction and African American Fiction. Is it the identity of the author? The main character? The example with Walter Mosley is a good one because he authors novels about strong black male heroes but in varied genres. There are also books in the young adult area that would benefit from label designations. Another consideration would be what to do with the YA titles and non-fiction if they were sectioned off. This is where readers' advisory services are crucial to helping patrons find what they want. Fortunately, libraries can adapt to patrons' needs and the collection will evolve to serve them. 



References

Thomas, D. (2007). A Place On the Shelf. Library Journal, 132(8), 40-43.



Trott, B., & Novak, V. (2006). A House Divided?. Reference & User Services Quarterly, 46(2), 33-38.

7 comments:

  1. I agree with you when you mentioned that it really has a lot to do with the library. Some smaller libraries do not have the space to separate it even if they wanted to, while others are big enough to debate this decision. You make a lot of good points in this prompt. It should make people think more about the structure and organization of their library.

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    1. You make a good point. Some libraries are very small and don't have the option of separating. One of my library's branches used to separate different genres, but space was becoming an issues. All adult fiction is now shelved together no matter what the genre is.

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  2. I think it also reflects on the community that surrounds the library. Obviously, every library should cater to as many people as possible, but a library in an extremely conservative area would not want a separate LGBTQ section anyhow. On the other hand, a library like New York Public might benefit from having a Urban Fiction area because many of the system's libraries are in urban areas themselves.

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    1. I agree about having your setup reflect the community around you. Libraries in a conservative area might not want a GLBT section, because they don't want any of those books in their library; however, if you do have GLBT books in a library in a more conservative area it may become even more important for the people who do read those books to make their selections with more privacy. It's difficult but INCREDIBLY important to reflect the whole community, not just the majority views of the community.

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    2. I live in a conservative community and I don't think separating LGBTQ fiction would work well. My town is small enough that gossip flies quickly. In this case, I think privacy is very important.

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  3. I think it also reflects on the community that surrounds the library. Obviously, every library should cater to as many people as possible, but a library in an extremely conservative area would not want a separate LGBTQ section anyhow. On the other hand, a library like New York Public might benefit from having a Urban Fiction area because many of the system's libraries are in urban areas themselves.

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  4. I agree with your post, good example of Walter Mosley & others who, if separated, could wind up in various themes. Integrated collections are best, make special themes bibliographies if needed.

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